Sunday, April 26, 2009

(Almost) Everything I Know About Producing I Learned From Stephen King

I am a huge Stephen King fan. I wasn't fully aware of this until I moved back to Los Angeles and began unpacking stuff that had been in boxes for 2 years. Among the Queen cassettes and socks, I found my Stephen King collection. I have the following books:

The Stand
Different Seasons
The Shining
Christine
Cujo
The Dead Zone
Needful Things
Skeleton Crew
The Bachman Books
Wizard & Glass (Dark Tower IV)
The Drawing of the Three (Dark Tower II)
The Wolf Howlers (Dark Tower V)
IT
The Tommyknockers
Misery
Different Seasons
Bag of Bones
Desperation
The Green Mile
Song of Susannah (VI)
The Dark Tower (The Dark Tower VII)

What I don't have is the one that has most deeply touched my life: "On Writing." If you are a writer or a creative artist of any kind it should be mandatory reading.

It also happens to be the best textbook on how to produce rock and roll music you can buy.


7 THINGS I LEARNED ABOUT PRODUCING ROCK MUSIC FROM STEPHEN KING

1. The first draft is playing Legos when you were a kid. It's all "YES! And..." A good example of this is the helicopter intro and outro to "Goodnight Saigon" by Billy Joel. Gotta throw it on there. Why not? Sounds awesome! And the song is about VIETNAM!

2. After you finish the first draft, you can't listen to it for awhile. You are not allowed. Take walks, hang out with friends, see movies, listen to a lot of music (but not that one). You'll want to -- just for a minute -- but don't. Two weeks is the minimum. I think one month is ideal, but I usually can't wait that long.

3. One magical day the universe will provide a sign: it's time to listen to that first draft. Maybe this sign will be the record label sending you an e-mail that says: "When is your album going to be done?" Maybe it will be finding a shoe you thought you lost or one sentence a stranger says to you. It's often subtle and if you want to stay on the Path of the Beam you'd better PAY ATTENTION. Read the sign when it appears; then settle in for a cozy night with your first draft and some headphones. CRANK IT. Don't worry about your hearing. Listen. Loud. Enjoy it.

4. After one time through you'll know pretty much how to finish it. Bad choices will stick out. Dishonesty will kick you in the gut. Technical stuff will become clear (the drums are too loud on that song). Creative stuff will become clear (the helicopter intro and outro should be cut). Do another pass and call it done. Take your time. Get it right. No deadlines.

5. Listen a lot -- as you're driving, walking, riding & surfing the web. SHARE. Play the almost final mixes for people. Give them CDs or songs to listen to. Don't worry, about 89% will not say anything at all. Some people have to work for a living. So: PAY ATTENTION to the 11% who do respond. Listen to every word they say. Read between the lines. Address every point that rings true. This can be a bit tricky. Someone says: "I really don't like the organ song." That could translate to: "The Organ Song" is sequenced wrong. Try it elsewhere. It could also mean that "The Organ Song" is a B-side. Somehow, you're going to have to deal with "The Organ Song." It has been my experience that every track you address from someone else's perspective will improve in one way or another.

6. Tie goes to the artist.

7. No one will like you for making music. They might like the MUSIC, but they won't like YOU for making it. Some people have to work for a living. Be grateful, be humble, be proud, always say please & thank you, LISTEN, and hope that you'll be able to continue to make music for a long time because it brings so much joy into your life.

Thanks Stephen! You are the best producer on the planet. You should produce Bruce's next album.

I love producing and I've only recently felt confident enough about it to feel comfortable producing other artists. The first album I made that was not one of mine was released February 3rd, 2009 in Austin, TX. It's Raina Rose's 3rd album, it's called "End of Endless False Starts," & she thinks it's her best. CHECK IT OUT HERE.

I'm currently producing Anthony da Costa's next album with him. Just finished #2. First draft is in the mail to him & I have done plenty of listening. So if I can walk the walk, I don't get to hear it again until May 26th. That seems too long, but we'll see.

Friday, April 3, 2009

Setlists

I love setlists. When I was a kid I would pour over Springsteen setlists from the 70s to see how he changed things night after night and shaped the show. In the old days, my friends and I would make fake setlists for our fake band (which played exclusively covers). Example =

WELCOME TO THE JUNGLE
WHO'LL STOP THE RAIN?
PURPLE RAIN
RAINING IN BALTIMORE
DESOLATION ROW
HEY JUDE
SHE'S GOT A WAY
GOODNIGHT SAIGON
CROCODILE ROCK
WHERE THE STREETS HAVE NO NAME
SHE'S GOT A WAY
- - - - - - - - - - - - - - -
SHE'S GOT A WAY

It's really fun.

I'm currently jealous of the great and powerful Raina Rose because she has a guy following her around, blogging setlists. In my mind, that's when you know you've made it.

Since I haven't made it, I'm going to blog my own setlists for this tour. I used to keep a setlist journal (you can check it out HERE), but started playing so many shows it got hard to keep track.

SO:

4.1.09
San Diego, CA
Le Stat's

THE AMERICAN WEST
LINCOLN & DOUGLAS DEBATES
DOWN IN MEXICO
EVERYONE LOOKS DIFFERENT
THE SCORE
YESTERDAY SOME ROSES
BEFORE WE FALL
SUMMER OF 69
GRANDPA
STOLEN CAR
MY MOM IS A DOG
FEET TO THE FIRE
BACK WHERE I WAS
OVER MY HEART

4.2.09
Yucca Valley, CA
The Water Canyon

LISTEN TO YOUR DADDY
BALLAD OF WALLACE GREEN & HIS DOG
TOO MANY GHOSTS
TOMBSTONE BLUES

4.3.09
Los Angeles, CA
Hotel Cafe

OVER A YEAR
BEFORE WE FALL
THERE'S NO REASON
LINCOLN & DOUGLAS DEBATES
YESTERDAY SOME ROSES
THE AMERICAN WEST
EVERYONE LOOKS DIFFERENT
FRANKLIN STREET
HAPPY BIRTHDAY TO TED
HANDYMAN

4.4.09
Santa Cruz, CA
The Abbey

FEET TO THE FIRE
LINCOLN & DOUGLAS DEBATES
BEFORE WE FALL
THERE'S NO REASON
RACING IN THE STREET
DOWN IN MEXICO
DISNEYLAND
EVERYONE LOOKS DIFFERENT
TOO MANY GHOSTS

4.5.09
San Francisco, CA
Plough & Stars

SAN FRANCISCO
TOMBSTONE BLUES
OVER A YEAR
THERE'S NO REASON
LINCOLN & DOUGLAS DEBATES
THE AMERICAN WEST
EVERYONE LOOKS DIFFERENT

4.6.09
San Francisco, CA
Mojito

SHE SHOOTS TO KILL
FEET TO THE FIRE
LINCOLN & DOUGLAS DEBATES
DOWN IN MEXICO
DISNEYLAND
EVERYONE LOOKS DIFFERENT
GRANDPA
OVER A YEAR

4.7.09
Ashland, OR
Siskiyou Pub

SHE SHOOTS TO KILL
FEET TO THE FIRE
TAKE IT EASY (YEAH YEAH YEAH)
DOWN IN MEXICO
SHE STILL HAS POSTERS
THE AMERICAN WEST
EVERYONE LOOKS DIFFERENT
TOO MANY GHOSTS
YESTERDAY SOME ROSES
LINCOLN & DOUGLAS DEBATES
TOMBSTONE BLUES
OVER A YEAR

4.8.09
Eugene, OR
Sam Bond's Garage

SHE SHOOTS TO KILL
FEET TO THE FIRE
DOWN IN MEXICO
GRANDPA
PISSIN' ON PLANTS IN THE SUBURBS
THE AMERICAN WEST
EVERYONE LOOKS DIFFERENT
LINCOLN & DOUGLAS DEBATES
OVER A YEAR
AN AMERICAN IN LOVE

4.9.09
Portland, OR
Alberta Street Pub

SHE SHOOTS TO KILL
FEET TO THE FIRE
DOWN IN MEXICO
LINCOLN & DOUGLAS DEBATES
GRANDPA
WALLACE GREEN
EVERYONE LOOKS DIFFERENT
MUSICAL CHAIRS
TOO MANY GHOSTS
OVER A YEAR
BEFORE WE FALL
END OF SUMMER CIGARETTES

4.10.09
Portland, OR
KBOO Radio Show (1:00 am)

EVERYONE LOOKS DIFFERENT
THE AMERICAN WEST
OVER A YEAR
MY MOM IS A DOG

4.11.09
Olympia, WA
Eastside Club Tavern

SHE SHOOTS TO KILL
FEET TO THE FIRE
DOWN IN MEXICO
LINCOLN & DOUGLAS DEBATES
GRANDPA
WALLACE GREEN
DISNEYLAND
EVERYONE LOOKS DIFFERENT
TOO MANY GHOSTS
SHE STILL HAS POSTERS
BEFORE WE FALL
TOMBSTONE BLUES
ANYBODY EVERYBODY
OVER A YEAR
EULOGY

4.12.09
Seattle, WA
The Mix

SHE SHOOTS TO KILL
FEET TO THE FIRE
DOWN IN MEXICO
GRANDPA
WALLACE GREEN
DISNEYLAND
EVERYONE LOOKS DIFFERENT
LINCOLN & DOUGLAS DEBATES
TOO MANY GHOSTS
OVER A YEAR

4.13.09
Bellingham, WA
Green Frog Acoustic Tavern

SHE SHOOTS TO KILL
FEET TO THE FIRE
DOWN IN MEXICO
GRANDPA
THE AMERICAN WEST
WALLACE GREEN
EVERYONE LOOKS DIFFERENT
TOO MANY GHOSTS
SHE STILL HAS POSTERS
THE END
EULOGY
LINCOLN & DOUGLAS DEBATES
OVER A YEAR
MY MOM IS A DOG